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Victor Drai by Michele Elyzabeth Rare are the ones who can sustain success in a city such as Los Angeles, especially when it comes to restaurants. Unlike New York and Paris “where eateries may stand a chance of becoming iconic” trends usually dictate the mood of the moment, making location and decor the prime concern. The food becomes secondary. Instead, it is about ‘where you should go for lunch,’ ‘where you should be seen in the evening,’ ‘what you should wear,’ and ‘who goes there?’ With trends comes yet another pitfall, the lack of identity and soul. Most restaurants seem to look alike as if a single architect and interior designer had worked on all of them. Thankfully for us, there are a few exceptions. Victor Drai is one man that has never been known for conventionality. He does it his way! So, when I heard that he took over an iconic spot formerly known as “Le Dome” and turned it into “Rare by Drai’s,” I was thrilled and could not wait to reconnect with him and see what he had done with the space. For the few who do not know Victor, he is a self-made multi-millionaire, business savvy and known to jet-setter crowds around the world. He is a successful movie producer, a nightlife mogul having conquered both Los Angeles and Las Vegas. He is the creator and founder of Las Vegas’ mega clubs Tryst and XS, and the visionary owner behind the newly renovated “Drai’s After Hours” opening this spring. ME: You just opened this gorgeous restaurant; tell me how this came about? I was in Hollywood for three and a half years. I was very happy with the night clubs, but not with the restaurants because all of my clientele lived far away. They came once in a while, but it was too far and traffic was really bad. All my clientele lived in West Hollywood, so people didn’t come. My best friends didn’t come. That was bothering me. Then, I started to have problems with the hotel because of the noise and the pool. The issue was that we both were controlling the pool, and that didn’t work for me. We were a night club, and they didn’t get it. I didn’t want to move without another Drai’s in Hollywood or Los Angeles. So I started looking. How did you find this deal? The people who own BLT are best friends with my partner, Michael Gruber. He came to me, and said, ‘What do you think?’ because they were in trouble here. So we made the deal and it was the perfect deal for me to make. It’s my name, it’s my restaurant, it’s my place. They take care of the accounting and payroll, which is perfect for me. I don’t want to do that. They’ve been good partners so far; they don’t bother me. How is the restaurant doing? Amazingly great. I’m very impressed because I was expecting it to take a little longer than it did. We’ve already sold out almost every Friday and Saturday since we’ve opened. It’s crazy; we did 300 dinners on Saturday. That’s a lot, because we only sit 180 people. Is it mainly your old clientele? What do you still attribute to the fact that you’ve been able to survive? Are you just a lucky guy? Or do you just understand business? Yes, the latter. I’ve always had that in my life. I was in fashion in France and I was in the movie business. I’ve always been very successful in what I do. But you have a little bit of luck on your side, though, don’t you? Yeah, you have to. I’m lucky to be healthy! (laughs) It’s true, in that sense. But I know what I want to do, and I’m very opinionated and I’m very sure of myself. I’m not, but I always look like I’m very sure of myself, and I like to do new things. And I like beautiful places. Did you decorate this space? Everything — I decorate all of my places. The Drais’, the night clubs, XS — all of them. That’s the most fun of it. The new club is insane. Are you still involved in producing? No. Why? You were successful at it. Yes, but if I were a writer or a director, I would definitely still be doing it. But the producer is like the first guy who creates the project, and then you’re the last piece in the wheel. Soon the director comes in, and you’re out, basically. They are the guys who decide what to do and how to do it, and I don’t like that. Then you have the studio. There are too many bosses for me and I don’t like that. I enjoyed it because it was something new. The chance to really make it in the film business as a French person was like a joke, so that was a challenge. That was fun. But there are lots of people in Hollywood who have been really nice to me. I have really good friends in Hollywood. They held the door open for me. Yes, because in LA I have my family, and in Vegas I have my work. It’s very easy; they’re 45 minutes apart. It was an expense that I’m really happy I did it, because that made it easier. Sometimes I wake up and I don’t know if I’m in LA or in Vegas. I can go for a day sometimes. What’s in the future for you after your reopening mid-May? We’ll reopen ‘After Hours’ in the same building, and then I have another club I’m opening in Bally’s. I moved ‘After Hours’ to Bally’s while the hotel was being renovated. Now that I’m moving it back to its original place, I’m going to use that space for a new club for the gay community. There’s no classy gay club on the strip in Vegas. As far as entertainment is concerned, is it strictly DJ? It’s all DJ music. What’s happened in the last few years in the night clubs is that DJs have become big, big stars. I would get a DJ, but to pay $400,000 a night is ridiculous. It makes no sense. Are you leasing, or are you the part-owner with the Hotel. I’m 50/50 partners with Caesar’s. How did you crack Vegas? First I started Drai’s in a place where it was a McDonald’s and in the worst hotel ever —an ugly and smelly hotel called The Barbary Coast. However, it was the best location on the strip. It was across from Caesars and Bally’s. The location was so insane, they wanted to change the look of the hotel and they were ready to work with me. They were very sweet; they let me do what I wanted. I did something almost as pretty as ‘this’ place. My theory was ‘okay, if I do a pretty place in a great location, people will find it.’ It would be kind of a ‘speak-easy.’ And instead of downtown, I’d be uptown. Were you busier after that? No, we were always the same. We couldn’t be more packed than we were. It was crazy. After Hours is open until what to what time? We open at 1:00 am and we close at 10:30 am in the morning. People came around 3:00 am. I have a very faithful clientele in all industries. After finishing work, if they wanted a drink, they came to Drai’s. It’s been 16 years now. We’re always packed, and I don’t spend a dollar on advertising and I don’t spend a dollar on DJs, and they love my place. You’re just a lucky guy, (laughs). No, not really. It’s really a cool place. And it’s funny, because you have different generations who all know Drai’s. Do you still frequent your establishments at night? I’m there during the day when I’m in Vegas, but rarely at night. It’s too late for me. Plus, I used to have the other clubs, XS and Tryst. I was in the other club from 2-3 o’clock, and then I would go to Drai’s for maybe half an hour. And here, you come to your place? If I’m in LA, I come to dinner here, but I don’t want it to be what it was on La Cienega where people came to see me. I don’t want to do that. People are blown away by the food here. Drai’s had a certain cache because there was something European. And at the time, it was the first restaurant with a lounge. It didn’t exist before. You are the only French man who was able to adapt to the times and reinvent himself. What do you like about your business? I like beauty and great lighting. I’m serious. That’s 90% of my success. Would you say that you are happy? I’m very happy. I have my little girl who’s six years old and I have a 20-year old who’s beautiful. I have wonderful children. What else could one ask for? |